I posted on Twitter yesterday, but here are the deets too long to post to Twitter:
70-200mm f/2.8L IS USM. It’s in like new condition (mint), as I only used it two times (that I can remember, anyway). I have the original box, manuals, cases, tripod mount, etc. I also have a multi-coated, low-profile, high quality UV filter that I’ll throw in with it. I’d like to get $1300 for it. It sells for around $1600 brand new, and $1400 to $1450 for similarly conditioned used lenses on ebay.
I also have the 40D. I’d guess that it has fewer than 500 shutter actuations on it (I can get the exact number off the camera tonight). It is also in like new condition and came bundled with a Canon 28-135mm f/3.5-5.6 IS USM lens (not L series). This bundle sells for around $1050 new (which is about what I paid for mine) and $899 for refurbs. I can part with mine for $850.
I’d sell both the big lens and the camera kit for $2000.
I’m just passing along this info. I’m not vouching for the guy or his gear. I’m told you can of course meet him and see the gear prior to purchase if you are local DC metro. I guess contact me via Twitter (Twitter.com/seoulfully)
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This movie is confusing. I’m not going to pretend I can even come close to fully getting this movie. So here goes as good a review as I can write. This movie, while 100% centered on the great Philip Seymour Hoffman, feels as sprawling as the grand masterpiece his character is creating. Continually adding layers and layers of meta in the movie. It’s pretty amazing. That’s as much as my brain can muster right now.
Hoffman is powerful in this flick, but he always is. He’s so good at playing the sad sack. (By the way, this is why I enjoyed him so much in MI3. The Owen Davian character was no sad sack. In fact, the character seemed kind of like a grown up more evil version of his character in “Scent of a Woman” [DVD].) Everyone else, including Catherine Keener, is so peripheral that it doesn’t even really warrant much discussion. Keener is almost non-existent in the movie. Michelle Williams is okay. Samantha Morton is the only true supporting role. And she’s great.
It takes a lot of brain to watch this movie. Definitely not a bored on a weekend watch, but worthwhile if you’re invested in it.
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How to review this movie without coming off as some kind of chauvinist. It depicts women at their absolute worst. The movie itself is ridiculous beyond belief. Anne Hathaway >> Kate Hudson. Kate Hudson really looks like her mom. The last 10 or so minutes of this movie are so unbelievable I don’t even know how to talk about it. Not a good movie crestor 10 mg. Not at all.
So this was a pretty good movie. I think JJ Abrams has to be fully thought of as one of the current better/best action directors now browse around here. However, this and MI3, I think he tends to make movies that are 15-20 minutes longer than needed. I’m all for 2 hour plus movies, but these feel like it.
A lot of the reviews have mentioned the lens flares in the movie. To which Abrams replied something that basically sounds like “my future’s so bright (i gotta wear shades)”. Okay, the actual quote:
I know there are certain shots where even I watch and think, “Oh that’s ridiculous, that was too many.” But I love the idea that the future was so bright it couldn’t be contained in the frame.
So moving along. Everyone says this is a movie for fans as well as newbies, I think fans get more out of it than newbies. The tiny characteristics of each character are put up front, but only meaningful to people familiar with them. JJ Abrams certainly also has a thing for time travel. To take a line from the movie, it kind of feels like a cheat. Some things have to happen, just not the same way or something crazy “Lost” like.
You know they have totally setup the franchise for a gazillion more movies because this reboot really worked. And I sort of hope they do. I definitely enjoyed the movie. Oh I didn’t see it on IMAX, but I bet it’d be awesome on IMAX. Or IMAX lite (or as Aziz Ansari calls it “Bullshit IMAX”).
Mild spoiler to follow:
Oh, but I 100% don’t buy Kirk finally being officially captain. You have a recent grad, saving earth/Federation certainly gets him a commendation and certainly pushes him through the ranks quickly, but the FLAGSHIP of the Federation? Pfft.
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So this movie wasn’t all that original, but I enjoyed it very much. The plot is pretty basic. One part relationship troubles, one part mentor-mentee stuff, one part friendship stuff, one part transformation plus some curse words and some nudity and you have role models. That said, I thought it was a good watch because it seemed kind of earnest. None of the situations in the movie was any kind of real, but I thought it did a good job of showing the progression of the characters in their relationships. Just an enjoyable flick.
I kind of grew out of reading Chuck Palahnuik novels awhile ago. So I never read Choke. But I was excited when I heard it was becoming a movie. It came out in theatres to what seemed like lackluster reviews. I guess now that I’ve seen it, rightly so.
The movie kind of meanders its way to the end. It was written and directed by Clark Gregg and was definitely not as tight of a movie as Fight Club [DVD]. Of course that one was helmed by David Fincher. I just felt this movie didn’t really go anywhere. The flashback scenes seemed useless. I mean they showed the kind of nomad/fugitive life that created Sam Rockwell’s character, but just seemed to be there. Nothing about this movie really stood out to me. I know it’s not much of a review, but it just seemed like a bit of a lackluster effort all around.
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You know what I love about this movie? There is not a single subtle thing about it. Not a one. It doesn’t take itself too seriously (until the very end of the movie). It knows what it is and revels in it. It’s a definite throw back to the 70s and the 80s. Pick just about any cliche you can think of for a guy movie and it’s in here. Just great stuff.
I had zero interest in watching this when it came out in theatres. Usually Jason Statham + driving = me watching, but the whole weaponized car thing was just too much. I like old school driving Statham (i.e. Transporter 1). And I was never into the whole Mad Max [DVD] thing. But then Netflix decided to NOT send me any blu-rays. I even leave slots open, but no. So I have to add old movies and think might as well. And I’m glad I did. Just a fun time. Total unabashed guy movie.
I also think it’s pretty much a directorial requirement of Statham that he gets more ripped for each successive movie. Ian McShane does his normal gravelly thing. If you like 70s and 80s guy movies and need nearly two hours of mindless fun, this is your movie.
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This certainly wasn’t as entertaining as the first installment of the series. The story was fine. Rival to the king. Long lost son. Unrequited love. Etc, etc, etc. I guess the first one was a bit of a surprise to me. I enjoyed it more than I thought I would, but it just seemed a little stale this time around.
IMDB: Two Days in April
This is a pretty straightforward documentary about the NFL draft. It follows four players as they prepare for the draft. There was some legal issues keeping it from release, but all of that is boring. Of the four players, one had high draft position hopes and the rest were going to be late first day picks, or so they hoped.
The preparation part of the documentary was pretty simple. I think it’s not a big mystery that these guys go through inordinate amounts of training in preparation for the Senior Bowl, the Combine, or pro days on campus. The most riveting part of the documentary was watching the players and the families of the players watch the draft. Name after name being called and just waiting. And how heart breaking it was that they kept getting passed over. And the relief and jubilation that came with finally being selected.
This is a pretty good documentary for football fans. And the drama of the end makes it a decent documentary for non-football fans as well.
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Okay, so Sam L. hates white people and holds a serious grudge. There’s your movie for you. For a movie where that’s the basic plot, I don’t think they really took advantage of the situation to really get more great Sam L. yelling scenes. While I don’t think Lakeview Terrace was really trying to hit home any racial arguments, it was so superficial. I mean the race conflict was so surface. Hell, Guess Who [DVD] did a better job dealing with interracial relationships.
Perhaps the one aspect I thought this movie really did well was to show the stress on a relationship. How so many arguments between Patrick Wilson and Kerry Washington devolved into a basic single foundation. Otherwise, not much else. I mean not even the hijinks Sam L. inflicts on Patrick Wilson and Kerry Washington are all that inventive or fun. It just seemed to be a movie that was on a loop for 75%, then added on a “tense” ending. I wasn’t that impressed.